|Born||(1961-04-29) April 29, 1961
Memphis, Tennessee, U.S.
|Associated acts||Naia Kete|
Kim started acting at the age of 8. Her first short was “2081” as an Orchestra Member, where she was the featured viloinist. She then appeared on major TV series such as “Bones” and “Sonny with a Chance” as a larger woman and a gospel singer. Yarbrough then appeared in the TV Movie “Dad’s Home” as Doris. In 2010 she guest starred on “The Defenders” in the pilot episode as the Clerk. She then played a recurring character part of the Requisitions Officer in the TV series “Dexter”. She later appeared in another TV movie, “Grace”, and then a short, “Mushroom Pizza”. She joined the recurring cast of “Conan” playing numerous characters from 2010 to 2011. She is currently working on another movie called “Somewhere Slow”. Recently she has co-starred in episodes of “Vegas”, “Hollywood Heights”, and “2 Broke Girls”. Kim will also be playing a recurring role as Madame Labuef on the new Nickelodeon television series, “The Haunted Hathaways”.
|2||Blind Auditions||“Tell Me Something Good“||Advanced|
|7||Battle Rounds||“No More Drama“||Advanced|
|12||Live Performances||“Rolling in the Deep“||Bottom 3|
|13||Last Chance Performances||“Spotlight“||Eliminated|
Kim competed in the second season of The Voice. After having 2 judges turn around in the blind audition, she chose Adam Levine as her coach. In the battle rounds she sang “No More Drama” with fellow team-mate Whitney Meyer. After the battle, Kim was crowned the winner. In the live performances she sang “Rolling in the Deep” by Adele. In the eliminations, she was one of the bottom three on her team. For her song she chose “Spotlight” by Jennifer Hudson. In the end, she along with Karla Davis were eliminated in favor of Katrina Parker. She came in 18th Place out of 48 contestants. She returned in the finale and sang “Superstition” alongside former contestants Naia Kete, Sera Hill and Cheesa.
|Film Made for Television or Video|
|2010||Dad’s Home||Doris||TV Film|
|2011||Grace||Church Choir Member|
|2010||Dexter||Requisitions Officer||Recurring Role (2 episodes)|
|2010, 2011||Conan||Mother Hubbard/Lana Hubbard||Recurring Role (3 episodes)|
|2013, 2014||The Haunted Hathaways||Madame Labuef||Recurring Guest Star (2 episodes)|
|Television guest appearances|
|2009||Bones||Large Woman||The Foot in the Foreclosure (2009)|
|2010||Sonny with a Chance||Gospel Singer||Gassie Passes (2010)|
|The Defenders||Clerk||Pilot (2010)|
|2011||It’s Always Sunny in Philadelphia||Backup Singer #2||Frank’s Brother (2011)|
|Hollywood Heights||Vocal Coach||Eddie Takes Off (2012)|
|2 Broke Girls||Darlene||And the Pre-Approved Credit Card (2012)|
|2013||Southland||Adeline||Under the Big Top (2013)|
|2014||New Girl||Another Teacher||Fired Up (2014)|
|Year||Album details||Peak chart positions|
|2013||Brand New Day (Strong Enough)
|Year||Album details||Peak chart positions|
The Yardbirds, 1966. From left: Jeff Beck, Jimmy Page, Chris Dreja, Keith Relf and Jim McCarty.
|Past members||See: Members section for detailed list|
The Yardbirds are an English rock band, formed in London in 1963. The band’s core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist/bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band is known for starting the careers of three of rock’s most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of Rolling Stone magazine’s list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including “For Your Love“, “Heart Full of Soul“, “Shapes of Things” and “Over Under Sideways Down“.
A blues-based band noted for their signature “rave-up” instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s, such as feedback, distortion and “fuzztone“. The band’s influence on both the music of the times and genres to come was great, and they inspired a host of imitators such as the Count Five and The Shadows of Knight. Some rock critics and historians credit the Yardbirds with heavily contributing to, if not inventing, “the birth of psychedelic music” and sowing the seeds of punk rock, progressive rock and heavy metal, among other genres. Following the band’s split in 1968, Relf and McCarty formed Renaissance and guitarist Jimmy Page formed what became Led Zeppelin.
The band were inducted into the Rock and Roll Hall of Fame in 1992. They were included as No. 89 in Rolling Stone‘s list of the “100 Greatest Artists of All Time“, and ranked No. 37 on VH1‘s 100 Greatest Artists of Hard Rock.
The Yardbirds reformed in the 1990s, featuring drummer Jim McCarty and rhythm guitarist/bassist Chris Dreja as the only original members of the band. Dreja left the band in 2012, leaving McCarty as the sole original member of the band present in the lineup.
- 1 History
- 2 Members
- 3 Discography
- 4 See also
- 5 References
- 6 External links
The band formed in the south-west London suburbs in 1963. Relf and Samwell-Smith were originally in a band named the Metropolitan Blues Quartet. After being joined by Dreja, McCarty and Top Topham, they performed at Kingston Art School in late May 1963 as a backup band for Cyril Davies. Following a couple of gigs in September 1963 as the Blue-Sounds, they changed their name to The Yardbirds, either an expression for hobos hanging around rail yards or prisoners hanging around a prison yard or a reference to seminal jazz saxophonist Charlie “Yardbird” Parker.
The quintet achieved notice on the burgeoning British rhythm and blues scene when they took over as the house band at the Crawdaddy Club in Richmond, succeeding the Rolling Stones. Their repertoire drew from the Chicago blues of Howlin’ Wolf, Muddy Waters, Bo Diddley, Sonny Boy Williamson II and Elmore James, including “Smokestack Lightning“, “Good Morning Little School Girl“, “Boom Boom“, “I Wish You Would“, “Rollin’ and Tumblin’“, “Got Love if You Want It” and “I’m a Man“.
Original lead guitarist Topham left and was replaced by Eric Clapton in October 1963. Crawdaddy Club impresario Giorgio Gomelsky became the Yardbirds manager and first record producer. Under Gomelsky’s guidance the Yardbirds toured Britain as the back-up band for blues legend Sonny Boy Williamson II in December 1963 and early 1964, recording live tracks on 8 December and other dates. The recordings would be released two years later during the height of the Yardbirds popularity on the album Sonny Boy Williamson and The Yardbirds.
After the tours with Williamson, the Yardbirds signed to EMI‘s Columbia label in February 1964, and recorded more live tracks March 20 at the legendary Marquee Club in London. The resulting album of mostly rhythm and blues covers, Five Live Yardbirds, would not be released by Columbia for another nine months, and it failed to enter the UK albums charts. Over time Five Live gained stature as one of the few quality live recordings of the era, and as a historical document of both the British “rock and roll boom” in the 1960s and Clapton’s time in the band.
20 second sample of the Yardbirds cover “Got Love if You Want It” by Slim Harpo, from Five Live Yardbirds
Problems playing this file? See media help.
Breakthrough success and Clapton departure
The Clapton line-up recorded two singles, the blues “I Wish You Would” and “Good Morning, School Girl“, before the band scored its first major hit with the overtly pop “For Your Love“, a Beatles-influenced Graham Gouldman composition built around a four-chord progression (Em-G-A-Amin) played on a harpsichord by Brian Auger. “For Your Love” hit the top of the charts in the UK and Canada and reached No. 6 in the United States, but it displeased Clapton, a blues purist whose vision extended beyond three-minute singles. Frustrated by the commercial approach, he abruptly left the band on 25 March 1965, the day the single was released. Soon Clapton joined John Mayall & the Bluesbreakers, but not before he recommended Jimmy Page, a prominent young session guitarist, to replace him. Content with his lucrative sessions work, and worried about both his health and the politics of Clapton’s departure, Page in turn recommended his friend Jeff Beck. Beck played his first gig with the Yardbirds only two days after Clapton’s departure.
Jeff Beck’s tenure; pioneers of British psychedelia
Beck’s explorations of fuzz tone, reverb, feedback, sustain, distortion and hammer-on soloing fitted well into the increasingly raw style of British beat music. The Yardbirds began to experiment with eclectic arrangements reminiscent of Gregorian chants and various European and Asian styles while Beck infused a pervasive Middle Eastern influence into the mix. Beck was voted No. 1 lead guitarist of 1966 in the British music magazine Beat Instrumental.
The Beck-era Yardbirds produced a number of groundbreaking recordings. These included the hit singles “Heart Full of Soul“, “Evil Hearted You“/”Still I’m Sad”, a cover of Bo Diddley’s “I’m a Man” (US only), “Shapes of Things” and “Over Under Sideways Down“, and the Yardbirds album (known popularly as Roger the Engineer).
Beck’s fuzz-tone guitar riff on “Heart Full of Soul” introduced Indian raga-style guitar to the pop charts in the summer of 1965. The follow-up, the reverb-laden “Evil Hearted You“, furthered the Eastern influence, while its B-side, “Still I’m Sad”, featured the band chanting like Gregorian monks. The Diddley cover, “I’m a Man“, was hard blues rock, featured the Yardbirds’ signature “rave-up”, where the tempo shifted to double time and Relf’s harmonica and Beck’s scratching guitar raced to a climax before falling back into the original beat.
The band embarked on their first US tour in late August 1965. A pair of albums were put together for the US market: For Your Love and Having a Rave Up, half of which came from the earlier Five Live Yardbirds album, combined with new tracks such as “Mister, You’re a Better Man Than I“ and “Train Kept A-Rollin“, both recorded with legendary producer Sam Phillips at Sun Studios in Memphis, Tennessee, during the first U.S. tour. There were three more US tours during Beck’s time with the band, and a brief European tour in April 1966.
The single “Shapes of Things“, released in February 1966, “can justifiably be classified as the first psychedelic rock classic”, according to AllMusic.com writer Ritchie Unterberger and heralded the coming of British psychedelia three months before the Beatles’ “Paperback Writer” B-side “Rain“. Reaching No. 3 on the UK charts and 11 in the U.S, “Shapes” was also the Yardbirds’ first self-penned hit, the previous three UK A-sides having been written by Gouldman. Relf’s vague anti-war protest lyrics and Beck’s feedback-driven, Middle Eastern-influenced solo reflected the band’s increasing embrace of psychedelia, as did the B-side “You’re A Better Man Than I” and the follow-up single, “Over Under Sideways Down“. The latter was released in May and featuring more quixotic lyrics by Relf and another raga-inspired guitar line by Beck.
The “Over Under Sideways Down” sessions were held in April 1966 and produced the album Yardbirds. It was commonly referred to as “Roger the Engineer“, which were the words scrawled under a cartoon by Dreja of engineer Roger Cameron that appears on the cover of the UK release. In the US, an abridged version of the album, minus the cartoon cover art, was released as Over Under Sideways Down. The recording session marked the Yardbirds’ split with their manager, Giorgio Gomelsky, as writer Simon Napier-Bell took over management and shared production credit with Samwell-Smith.
The band, led by Relf and McCarty, eschewed cover material, writing the entire album themselves. They were allotted “a whole week” to record the album, according to Dreja, resulting in a “crammed” albeit eclectic mix of blues, hard rock, monkish chanting (“Turn into Earth”, “Ever Since the World Began”) and African tribal rhythms (“Hot House of Omagararshid”). Beck’s guitar lines were a unifying constant throughout. Roger the Engineer was ranked at No. 350 on Rolling Stone magazine’s “500 Greatest Albums of All Time”.
The Beck/Page line-up
Roger the Engineer was released in June 1966. Soon afterwards, Samwell-Smith quit the band at a drunken gig at Queen’s College in Oxford and embarked on a career as a record producer. Jimmy Page, who was at the show, agreed that night to play bass until rhythm guitarist Dreja could rehearse on the instrument. The band toured with Page on bass, and Beck and Dreja on guitars, playing dates in Paris, the UK, the Midwestern US and the California coast. Beck fell ill late in the latter tour, and was hospitalised in San Francisco. Page took over as lead guitarist at the Carousel Ballroom (San Francisco) on 25 August and Dreja switched to bass. Beck stayed in San Francisco to recuperate with his girlfriend Mary Hughes, while the rest of the band completed the tour. After the Yardbirds reunited in London, Dreja remained on bass and the group’s dual lead guitar attack was born.
The Beck–Page lead guitar tandem created the avant garde psychedelic rock single “Happenings Ten Years Time Ago” (with future Led Zeppelin bassist John Paul Jones on bass instead of Dreja), which the band recorded in July and September 1966. The single’s UK B-side was “Psycho Daisies“, two minutes of embryonic garage punk sludge featuring Beck on vocals and lead guitar, and Page on bass. The single’s B-side in the US, “The Nazz Are Blue”, also features a rare lead vocal by Beck.
The Yardbirds also recorded “Stroll On”, a reworking of Tiny Bradshaw‘s “Train Kept A-Rollin’“, recorded for Michelangelo Antonioni‘s critically acclaimed film Blow-Up. Relf changed the song’s lyrics and title to avoid having to seek permission from the copyright holder. Their appearance in the film, about a hip fashion photographer (played by David Hemmings) undergoing an existential crisis in Swinging London, came after the Who declined and the In-Crowd were unable to attend the filming. Andy Warhol “Factory” band The Velvet Underground were also considered for the part but were unable to acquire UK work permits. Director Antonioni instructed Beck to smash his guitar in emulation of the Who’s Pete Townshend. The guitar that Beck destroys in the film was a cheap German-made Höfner instrument.
The Beck–Page line-up recorded little else in the studio. No live recordings of the dual-lead guitar lineup have surfaced, except for “Great Shakes”, a commercial recorded for Great Shakes milkshakes using the opening riff of “Over Under Sideways Down“, included on the 1992 Little Games Sessions & More compilation.
One recording made by Beck and Page in May 1966, just weeks before Page joined the Yardbirds, was “Beck’s Bolero“. This piece was inspired by Ravel‘s “Bolero” and credited to Page (although Beck also claims to have written the song), with John Paul Jones on bass, Keith Moon on drums and Nicky Hopkins on piano. Around the time of this session, the idea of a “supergroup” involving Beck, Page, Moon and Who bassist John Entwistle originated, with Entwistle suggesting it would “go over like a lead balloon” and Moon quipping that they could call the band “Lead Zeppelin”. Although all the musicians remained with their respective bands, Page recalled the conversation in 1968 when deciding on the name for Led Zeppelin. “Beck’s Bolero” was first released in 1967 as the B-side of Beck’s first solo single, “Hi Ho Silver Lining“, and was included the following year on the Jeff Beck Group‘s debut album, Truth.
The “swinging London” scene depicted in Blow-Up was evolving towards psychedelic London but the Yardbirds kept up a frenetic touring schedule upon their return. They opened for the Rolling Stones’ 1966 UK tour (with Ike & Tina Turner, Peter Jay and Long John Baldry also on the bill), released the “Happenings” single, shot their scenes in Blow-Up, and then headed back to the US for a show at the Fillmore West in San Francisco, and a slot on American Bandstand host Dick Clark‘s “Caravan of Stars” tour, which they joined in Texas. After a few shows with the Caravan, Beck stormed out and headed back to San Francisco and Mary Hughes. The band, still in Texas, continued on the Dick Clark tour as a quartet, with Page as sole lead guitarist. They caught up with Beck in late November, at which point Beck officially left the band. Beck’s lack of professionalism, his temper, Relf’s drunkenness, the gruelling and unrewarding Dick Clark Caravan, and other pressures were cited, none of which involved Beck actually being fired. Beck’s official departure was announced on 30 November in the US. The Yardbirds finished their remaining US dates with Page as sole lead guitarist and headed back to the UK for more shows scheduled by Napier-Bell. Beck continued as a solo artist.
Final days: the Page era
Page subsequently introduced playing the instrument with a cello bow (suggested to him by violinist David McCallum, Sr.) and the combination of a wah-wah pedal in addition to a distortion fuzzbox. Other innovations included the use of a taped noise loop in live settings (on the psychedelic dirge “Glimpses”) and open-tuned guitar to enhance the sitar-like sounds the Yardbirds were known for.
Meanwhile, the act’s commercial fortunes were declining. “Happenings Ten Years Time Ago” had only reached No. 30 on the US Hot 100 and had fared worse in Britain. The band dropped Napier-Bell and entered into a partnership with Columbia Records hit-making producer, Mickie Most, known for his work with the Animals, Herman’s Hermits and Scottish singer Donovan, yet this move failed to reignite their chart success. After the disappointing sales of “Happenings”, the single “Little Games” released in March 1967 flopped so badly in the UK (where it was backed by “Puzzles”) that EMI did not release another Yardbirds record there until after the band broke up. A 1968 UK release of the “Goodnight Sweet Josephine” single was planned but cancelled. A version of Tony Hazzard‘s “Ha Ha Said the Clown” – on which only Relf performed – backed by the Relf–McCarty original “Tinker Tailor, Soldier Sailor”, was the band’s last single to enter the US top 50, peaking at No. 44 on the Billboard charts in the summer of 1967.
Epic compiled the six earlier A-side hits and B-sides (“New York City Blues”, “Still I’m Sad”) with the heaviest material from For Your Love (“I’m Not Talking”) and Having a Rave Up (“Smokestack Lightning”), and released The Yardbirds Greatest Hits in the US in March 1967. The album featured the first appearance of “Happenings” and “Shapes of Things” on an album. Although it omitted “Psycho Daisies”, which had only been released in the UK as a B-side, Greatest Hits described to the Yardbirds’ growing American audience an almost complete picture of “what made the Yardbirds a great band”, according to AllMusic critic Bruce Eder. In the description of author Greg Russo, the compilation also presented young garage rock musicians of the psychedelic era with a handy textbook of the band’s work during 1965–66. Greatest Hits was the Yardbirds’ best-selling US album release, peaking at No. 28 on the Billboard charts.
The band spent the first half of 1967 touring Australia, New Zealand, Denmark and France (including a stop in Cannes to help promote Blow-Up). They also played a handful of shows in the UK in June, before heading to Vancouver to begin their fourth tour of North America with Page.
Their final album, Little Games, was released in July 1967, again only in the US. It was a commercial and critical non-entity. A cover of Harry Nilsson‘s “Ten Little Indians” charted briefly in the United States.
The Yardbirds spent much of the rest of that year touring in the US with new manager Peter Grant, their live shows becoming heavier and more experimental. The band rarely played their 1967 Most-produced singles on stage, preferring to mix the Beck-era hits with blues standards and experimental psychedelia such as “Glimpses”, a Page-written piece from Little Games featuring bowed guitars, pre-recorded noise loops and a hypnotic wah-wah guitar groove. They also covered the Velvet Underground (“I’m Waiting for the Man“) and Bob Dylan (“Most Likely You Go Your Way And I’ll Go Mine“) and American folk singer Jake Holmes, whose “Dazed and Confused“, with overhauled arrangement by Page and lyrics modified by Relf, was shaped in fall of 1967 and a live fixture of the final American tour in 1968. “Dazed and Confused” went down so well that Page selected it for the first Led Zeppelin record, on which it appears with further revised lyrics and Page credited as writer. (Page and Holmes would settle on an “Inspired by” credit for Holmes in 2011).
By 1968, the psychedelic blues rock of Cream and the Jimi Hendrix Experience was enormously popular, yet Relf and McCarty wished to pursue a style influenced by folk and classical music. Page wanted to continue with the kind of “heavy” music for which Led Zeppelin would become iconic. Dreja was developing an interest in photography. By March, Relf and McCarty had decided to leave but were persuaded by the other two to stay at least for one more American tour.
The band’s final single was recorded in January and released two months later. Reflecting the divergences of the band members and their producer, the A-side, “Goodnight Sweet Josephine”, was another Mickie Most-produced pop single, while the B-side, “Think About It”, featured a proto-Zeppelin Page riff and snippets of the “Dazed and Confused” guitar solo. It failed to chart on the Billboard Hot 100.
A concert and some album tracks were recorded in New York City in March and early April (including the unreleased song “Knowing That I’m Losing You”, an early version of a track that would be re-recorded by Led Zeppelin as “Tangerine“). All were shelved at the band’s request, but after Led Zeppelin became successful Epic tried to release the concert material as Live Yardbirds: Featuring Jimmy Page. The album was quickly withdrawn after Page’s lawyers filed an injunction.
The Yardbirds played their final shows on 31 May and 1 June at the Shrine Auditorium in Los Angeles, and on 4 and 5 June at the Spring Fair at the Montgomery International Speedway in Alabama. The Los Angeles shows were documented in the bootleg release Last Rave-Up in L.A. The Yardbirds announced the departure of Relf and McCarty in a press release on 12 June (“Two Yardbirds Fly”) and returned home to play one last show, on 7 July 1968, at the College of Technology in Luton, Bedfordshire, supported by the Linton Grae Sound. Rolling Stone magazine announced the break-up by saying that Page “intends to go into solo recording work”.
The Yardbirds, The New Yardbirds and Led Zeppelin
Page and Dreja, with a tour of Scandinavia scheduled for late summer 1968, saw the break-up as an opportunity to put a new lineup together with Page as producer and Grant as manager. Page initially described his vision for the new band as “a new sort of collage of sound” that would include mellotron keyboard while still featuring the guitar. Procol Harum‘s B.J. Wilson, Paul Francis and session man Clem Cattini, who had guested on more than a few Yardbirds tracks under Most’s supervision, were considered as drummers. Young vocalist and composer Terry Reid was asked to replace Relf but declined because of a new recording contract with Most and recommended the then-unknown Robert Plant. Plant, in turn, recommended his childhood friend John Bonham as a drummer. Bassist/keyboardist/arranger John Paul Jones – who had worked with Page on countless sessions, including several with the Yardbirds – approached Page and offered his services; Dreja bowed out to pursue a career as a rock photographer. Rehearsals began in mid-August; in early September, Page’s revised Yardbirds embarked as the New Yardbirds on the Scandinavian tour, after which the band returned to the UK to produce the debut Led Zeppelin album.
While Page’s new roster still played a few songs from the Yardbirds’ canon – usually “Train Kept a-Rollin’,” “Dazed and Confused” or “For Your Love” and snatches of Beck’s “Shapes of Things” solo – a name (and identity) change was in order in October 1968. They appeared on contracts, promotional material, ticket stubs and other collateral as “The Yardbirds” or “The New Yardbirds” for three shows in October 1968, with the Marquee Club date reported as the Yardbirds’ “farewell London appearance” and the Liverpool University show 19 Oct. announced as the Yardbirds’ “last ever appearance”. This may have been motivated, at least in part, by a cease-and-desist order from Dreja, who claimed that he maintained legal rights to “The Yardbirds” name, although most sources indicate that Page and Grant fully intended to change the name after they returned from Scandinavia with or without the nudge from Dreja. From 19 October 1968 onwards, they were Led Zeppelin, the name taken from The Who bandmembers Moon and Entwistle’s “lead balloon” discussion of the “supergroup” that had played on the “Beck’s Bolero” sessions in May 1966. The spelling of “lead” was changed to avoid confusion over the pronunciation. This effectively marked the end of the Yardbirds for the next 24 years.
After the Yardbirds
Relf and McCarty formed an acoustic rock band called Together and then Renaissance, which recorded two albums for Island Records over a two-year period. McCarty formed the band Shoot in 1973. Relf, after producing albums for Medicine Head (with whom he also played bass) and Saturnalia, resurfaced in 1975 with a new quartet, Armageddon; a hybrid of heavy metal, hard rock and folk influences, which now included former Renaissance bandmate Louis Cennamo, drummer Bobby Caldwell (previously a member of Captain Beyond and Johnny Winter), and guitarist Martin Pugh (from Steamhammer, Rod Stewart‘s An Old Raincoat Won’t Ever Let You Down, and most recently in 7th Order). They recorded one promising album before Relf died in an electrical accident in his home studio on 14 May 1976. In 1977, Illusion was formed, featuring a reunited lineup of the original Renaissance, including McCarty and Keith’s sister Jane Relf.
In the 1980s McCarty, Dreja and Samwell-Smith formed a short-lived but fun Yardbirds semi-reunion called Box of Frogs, which occasionally included Beck and Page plus various friends with whom they had all recorded over the years. They recorded two albums for Epic, the self-titled “Box of Frogs” (1984) and “Strange Land” (1986). McCarty was also part of ‘The British Invasion All-Stars’ with members of Procol Harum, The Creation, the Nashville Teens, the Downliners Sect and The Pretty Things. Phil May and Dick Taylor of the Pretty Things, together with McCarty, recorded two albums in Chicago as the Pretty Things-Yardbirds Blues Band – The Chicago Blues Tapes 1991 and Wine, Women, Whiskey, both produced by George Paulus.
The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. Nearly all the original surviving musicians who had been part of the band’s heyday, including Jeff Beck and Jimmy Page, appeared at the ceremony. (Original lead guitarist Top Topham was not included.) Eric Clapton, whose Hall of Fame induction was the first of three, was unable to attend because of his obligations while recording and working on a show for the MTV Unplugged series. Accepting the induction on behalf of the late Keith Relf were his wife April and son Danny.
In 1992, Peter Barton from Rock Artist Management contacted Jim McCarty about the prospect of reforming the Yardbirds. McCarty was interested but only if Chris Dreja would agree, but at the time he thought it highly unlikely that Dreja would want to tour again. Barton then contacted Dreja, who agreed to give it a try. Their debut gig was booked at the Marquee Club in London along with the newly reformed Animals. It was a great success. The lineup featured John Idan handling bass and lead vocals. Barton managed the band and booked all their dates for over a decade; he still works with the band on occasion.
In 2003, a new album, Birdland, was released under the Yardbirds name on the Favored Nations label by a lineup including Chris Dreja, Jim McCarty and new members Gypie Mayo (lead guitar, backing vocals), John Idan (bass, lead vocals) and Alan Glen (harmonica, backing vocals), which consisted of a mixture of new material mostly penned by McCarty and re-recordings of some of their greatest hits, with guest appearances by Joe Satriani, Steve Vai, Slash, Brian May, Steve Lukather, Jeff “Skunk” Baxter, John Rzeznik, Martin Ditchum and Simon McCarty. Also, Jeff Beck reunited with his former bandmates on the song “My Blind Life”. And then there was the rare and improbable guest appearance on stage in 2005 by their first guitarist from the 1960s, Top Topham.
Since the release of Birdland, Mayo was replaced briefly by Jerry Donahue, and subsequently in 2005 by the then 20-year-old Ben King, while Glen has been replaced by Billy Boy Miskimmin from Nine Below Zero fame. In 2007 the Yardbirds released a live CD, recorded on 19 July 2006, entitled Live at B.B. King Blues Club (Favored Nations), featuring the McCarty, Dreja, Idan, King and Miskimmin line-up. The first episode of the 2007/08 season for The Simpsons featured the Yardbirds’ “I’m A Man” from the CD Live at B.B. King Blues Club (Favored Nations).
According to his website, Idan resigned from the Yardbirds in August 2008, although his last gig with them was on Friday 24 April 2009, when they headlined the first concert in the new Live Room venue at Twickenham rugby stadium. This was also Glen’s last gig with the band after temporarily standing in when Miskimmin was unavailable. Idan and Glen were replaced by Andy Mitchell (lead vocals, harmonica, acoustic guitar) and David Smale (bass, backing vocals), brother of the virtuoso guitarist Jonathan Smale. Dreja sat out the US spring 2012 tour to recover from an illness. It was announced in 2013 that he was leaving the band for medical reasons and would be replaced by original Yardbirds guitarist Topham.
McCarty announced in December 2014 that the current lineup of the Yardbirds had disbanded. He told fans in an email that he would be “working on solo ventures and other Yardbirds projects in 2015.” This has been proven to be untrue as the Yardbirds are on tour as of 2015. In May 2015 Topham left the band and was replaced by Earl Slick. Ultimately, Slick would not play with them.
In August 2015, it was announced they would play the Eel Pie Club in Twickenham, west London on 17 October with a line-up of Jim McCarty, John Idan, Ben King, David Smale and Billyboy Miskimmin. On 12 August 2015, it was announced that Boston-based guitarist Johnny A. would become the newest member of the Yardbirds for their North American tour running from 30 October to 22 November 2015. Former Ram Jam harmonica player Myke Scavone joined the band at the end of 2015. On 15 April 2016, the band played at the Under the Bridge venue in London with a line-up of Jim McCarty, John Idan, Johnny A, Kenny Aaronson, and Billyboy Miskimmin.
- Jim McCarty – drums, backing vocals (1963–1968, 1982–1983, 1992–present), lead vocals (1992)
- John Idan – lead vocals (1992–2009, 2015–present), lead guitar (1992–1994), bass (1994–2009), rhythm guitar (2015–present)
- Kenny Aaronson – bass (2015, 2016–present)
- Myke Scavone – harmonica, percussion, backing vocals (2015–present)
- Godfrey Townsend – lead guitar (2018–present)
- Keith Relf – lead vocals, harmonica (1963–1968), rhythm guitar (1966–1968)
- Chris Dreja – rhythm guitar, percussion (1963–1966, 1982–1983, 1992–2013), bass (1966–1968), backing vocals
- Paul Samwell-Smith – bass, backing vocals (1963–1966, 1983)
- Anthony “Top” Topham – lead guitar (1963), rhythm guitar (2013–2015)
- Eric Clapton – lead guitar, backing vocals (1963–1965)
- Jeff Beck – lead guitar, backing vocals (1965–1966)
- Jimmy Page – lead guitar (1966–1968), bass (1966), Backing vocals
- Rod Demick – bass, harmonica, backing vocals (1992–1993)
- Ray Majors – lead guitar, backing vocals (1994–1995)
- Laurie Garman – harmonica (1994–1996)
- Gypie Mayo – lead guitar, backing vocals (1995–2005)
- Alan Glen – harmonica, percussion (1996–2003, 2008–2009)
- Jerry Donahue – lead guitar (2004–2005)
- Andy Mitchell – lead vocals, harmonica, acoustic guitar (2009–2015)
- Earl Slick – lead and rhythm guitars (2015)
- David Smale – bass, backing vocals (2009–2014; 2015–2016)
- Ben King – lead guitar (2005–2015)
- Billy Boy Miskimmin – harmonica, percussion (2003–2008; 2016)
- Johnny A. – lead guitar (2015–2018)
The Yardbirds discography
The Yardbirds discography Studio albums 5 Live albums 10 Compilation albums 8+ Video albums 3 EPs 2 Singles 15 Soundtrack albums 1
From their beginnings in 1962–1963 until their breakup in 1968, the Yardbirds released one studio album, one live album, nine singles, and two EPs in their native United Kingdom (a second live album with the Yardbirds serving as a back-up band for Sonny Boy Williamson II and a soundtrack album for which they contributed one song were also released during this period). As was the practice in the UK at the time, the Yardbirds’ singles (except one) and their first EP were not released on albums. In the US (where albums included singles), the Yardbirds released an additional two albums, a second studio album, a greatest hits album, and four additional singles. Demos for two songs recorded in 1963 were later released as a single in the Netherlands and Germany and a single recorded for the Italian market was released during this period.
Since their breakup in 1968, a number of new albums have appeared. Besides numerous compilations, albums featuring additional live recordings and various demos and outtakes from 1963–1968 have been released. Since 1999, several recordings by the reconstituted Yardbirds have been released.
Original albums 1964–1968
For Your Love and Having a Rave Up with The Yardbirds (both US 1965) are made up of US-only tracks, plus singles, an EP, and tracks from Five Live Yardbirds (UK 1964). Their third American album, Over Under Sideways Down (1966), is the same as the British Yardbirds (a.k.a. Roger the Engineer), except two tracks are not included. The albums released in Canada correspond to the first three American albums, although some tracks were substituted and the cover art differs (For Your Love was retitled Heart Full of Soul a.k.a. Presenting The Yardbirds). Where two catalogue numbers are given, the album was released in monaural and stereo versions.
List of albums with year, title, origin, label, and peak chart position Year Title Origin Label Peak
6/1965 For Your Love US Epic (LN 24167/BN-26167) 96 11/1965 Having a Rave Up with The Yardbirds US Epic (LN 24177/BN 26177) 53 7/1966 Yardbirds a.k.a. Roger the Engineer UK Columbia (SX 6063/SCX 6063) 20 Over Under Sideways Down US Epic (LN 24210/BN 26210) 52 7/1967 Little Games US Epic (LN 24313/BN 26313) 80
List of live albums with year, title, origin, label, and peak chart position Year Title Origin Label Peak chart
12/1964 Five Live Yardbirds UK Columbia (33SX 1662) — 1/1966 Sonny Boy Williamson and the Yardbirds UK Fontana (TL 5277) — 2/1966 US Mercury (MG 21071/SR 61071) —“—” denotes live albums that did not chart
List of compilations with year, title, origin, label, and peak chart position Year Title Origin Label Peak
3/1967 The Yardbirds Greatest Hits US Epic (LN 24246/BN 26246) 28
“Stroll On”, an updated remake of “Train Kept A-Rollin’“, featuring Jeff Beck and Jimmy Page on dual-lead guitars, is the only Yardbirds contribution to the soundtrack. The film score is by Herbie Hancock.
List of soundtracks with year, title, origin, label, and peak chart position Year Title Origin Label Peak
2/1967 Blow-Up – The Original Sound Track Album US MGM (E/SE-4447 ST) 192 5/1967 UK MGM (C/CS 8039) —“—” denotes soundtrack that did not chart
Albums since 1969
List of albums with year, title, label, and comments Year Title Label Comments 2003 Birdland Favored Nations (FN2280-2) recorded Los Angeles and London 2003, reached #25 on Billboard’s Independent Albums chart
List of live albums with year, title, label, and comments Year Title Label Comments 8/1971 Live Yardbirds! Featuring Jimmy Page Epic (E 30615) recorded New York 1968; withdrawn shortly after release, but frequently bootlegged 1981 London 1963 – The First Recordings! L & R (44.001) unreleased live recordings and demo from 1963 5/1991 Yardbirds …On Air
(re-released as BBC Sessions (1999, Warner Archives 2-46694))
Band of Joy (BOJCD 200) recorded by BBC 1965–68 1999 Reunion Jam Mooreland St. recorded London 1992 2003 Live! Blueswailing July ’64 Castle Music (06076-81331-2) unreleased live recordings from 1964 2006 Reunion Jam Vol. II Mooreland St. recorded London 1992 2007 Live at B.B. King Blues Club Favored Nations (FN2580-2) recorded New York 2006 2014 Making Tracks Wienerworld live recordings from the 2010-11 tours
Selected compilation albums
Numerous Yardbird’s compilation albums issued by a number of record companies have been released over the years (AllMusic shows over 100 compilations). The following lists some of the more notable and current releases:
List of compilations with year, title, label, and comments Year Title Label Comments 10/1970 The Yardbirds Featuring Performances by Jeff Beck, Eric Clapton, Jimmy Page Epic (EG-30135) early US compilation featuring all three lineups, reached #155 on the Billboard 200 8/1992 Little Games Sessions and More EMI USA (0777-7-98213-2 7) includes non-album singles and alternate takes/mixes 8/2000 Cumular Limit Burning Airlines (Pilot 24) includes demos recorded in New York in 1968 and enhanced CD of four live songs from 1967 German TV show 7/2001 Ultimate! Rhino (R2 79825) features selections spanning career from 1963 demos to 1968 last single 2002 The Yardbirds Story
(previously released in 1993 as Train Kept A-Rollin’ – The Complete Giorgio Gomelsky Productions)
2002, Charly Records SNAB 905 CD most available Yardbird recordings from 1963–66 (before Yardbirds/Over Under Sideways Down), including previously unreleased 1963–64 demos and live recordings, and later alternate takes 12/2011 Glimpses 1963–1968 Easy Action (EARS 035) mostly live recordings, including some unreleased and those previously scattered among various semi-official and bootleg releases 11/2017 Yardbirds ’68 Remixed recordings from Anderson Theater 3/1968 and Columbia demos from 4/68
Original singles 1964–1968
List of singles with year, title, origin, label, and peak chart position Year Title A-side / B-side Origin Label Peak
5/1964 “I Wish You Would” / “A Certain Girl” UK Columbia (DB 7283) — 8/1964 US Epic (5-9709) — 10/1964 “Good Morning Little Schoolgirl” / “I Ain’t Got You” UK Columbia (DB 7391) 44 3/1965 “For Your Love” / “Got To Hurry” UK Columbia (DB 7499) 3 4/1965 US Epic (5-9790) 6 6/1965 “Heart Full of Soul” / “Steeled Blues” UK Columbia (DB 7594) 2 7/1965 US Epic (5-9823) 9 10/1965 “Evil Hearted You” / “Still I’m Sad” UK Columbia (DB 7706) 3 “I’m a Man” / “Still I’m Sad” US Epic (5-9857) 17 2/1966 “Questa Volta”[a] / “Paff…Bum” Italy Ricordi International
11 “Shapes of Things” / “You’re a Better Man Than I“ UK Columbia (DB 7848) 3 “Shapes of Things” / “New York City Blues” [b] US Epic (5-10006) 11 3/1966 “Boom Boom” / “Honey In Your Hips” NL,
CBS (1433) — 5/1966 “Over Under Sideways Down” / “Jeff’s Boogie” UK Columbia (DB 7928) 10 6/1966 US Epic (5-10035) 13 10/1966 “Happenings Ten Years Time Ago” / “Psycho Daisies” UK Columbia (DB 8024) 43 11/1966 “Happenings Ten Years Time Ago” / “The Nazz Are Blue” US Epic (5-10094) 30 3/1967 “Little Games”[c] / “Puzzles” US Epic (5-10156) 51 4/1967 UK Columbia (DB 8165) — 7/1967 “Ha Ha Said The Clown”[d] / “Tinker Tailor Soldier Sailor” US Epic (5-10204) 45 10/1967 “Ten Little Indians“[e] / “Drinking Muddy Water” US Epic (5-10248) 96 3/1968 “Goodnight Sweet Josephine”[f] / “Think About It” US Epic (5-10303) 127“—” denotes singles that did not chart
List of EPs with year, title, origin, label, and peak chart position Year Title Origin Label Peak
8/1965 Five Yardbirds EP
(“My Girl Sloopy“, “I’m Not Talking”, “I Ain’t Done Wrong”)
UK Columbia (SEG 8421) 5 1/1967 Over Under Sideways Down EP
(“Over Under Sideways Down“, “I Can’t Make Your Way”, “He’s Always There”, “What Do You Want”)
UK Columbia (SEG 8521) —“—” denotes EP that did not chart
List of videos with year, title, label, and comments Year Title Label Comments 12/1966 Blow-Up MGM The group performs “Stroll On“, reissued on DVD by Warner Home Video in 2004 11/1995 Yardbirds: Where the Guitar Gods Played WEA reissued on DVD by Rhino in 2003 2012 Making Tracks Wienerworld released as an audio CD in 2014
The Escorts (British band)
The Escorts in 1965
|Years active||1962 (1962)–1966|
|Labels||Fontana Records, Columbia|
|Associated acts||John Chilton|
The Escorts were a Merseybeat band formed in October 1962 in Liverpool, England, by three classmates who had just left the Morrison School for Boys in Rose Lane, Allerton — Mike Gregory, Terry Sylvester and John Kinrade. In 1963, they were voted the ninth most popular group in Liverpool by readers of Mersey Beat magazine from a competitive field of several dozen popular Liverpool bands of the time.
They originally consisted of:
- Terry Sylvester — guitar/lead vocals (born Terence Sylvester, 8 January 1946, Allerton, Liverpool)
- John Kinrade — lead guitar/vocals (born John Knowles, 25 June 1946, Southport, Lancashire)
- Mike Gregory — bass guitar/vocals (born Michael Gregory, 7 November 1946, Liverpool Maternity Hospital, Kensington, Liverpool)
- Ray Walker — lead vocals
- Johnny Foster — drums; replaced by Pete Clarke (born Peter Gaskell, 1946); replaced by Kenny Goodlass from The Kirkbys; replaced by Pete Clarke; replaced by Tommy Kelly of Earl Preston’s Realms; replaced by Paul Comerford of The Cryin’ Shames.
Terry Sylvester was replaced by Frank Townsend from The Easybeats (1962–65) and the Beachwoods, who was later to become a member of Tony Rivers and the Castaways. Paddy Chambers (ex-Faron’s Flamingos and The Big Three) subsequently replaced Townsend. Sylvester left to join The Swinging Blue Jeans in 1966, before replacing Graham Nash in The Hollies. He now lives in Toronto and travels all over the United States and Canada playing concerts with artists such as Billy J. Kramer, Peter Noone, Joey Molland and other British Invasion acts. Sylvester also does a one-man show.
Mike Gregory would also leave The Escorts in 1967 to join The Swinging Blue Jeans, and stayed until 1971, whereupon after leaving and doing sessions for a couple of years, he formed a group with Johnny Goodison of the original Brotherhood of Man called Big John’s Rock ‘n’ Roll Circus in 1975. Gregory stayed in ‘The Circus’ until its demise in 2005, and is now a solo artist.
Drummer Pete Clarke managed to record a fine instrumental solo single in 1968. For a while that same year he became the in-house session drummer for Apple Music and is notable on a couple of songs on Jackie Lomax‘s album, Is This What You Want. Still wanting to be in a group, in 1969 he joined the strange poetry band, The Liverpool Scene, and still working for Apple he did sessions for Kiki Dee and Billy Preston, and then did a brief stint in Badfinger. He is now living in the US.
Although they never released a full album during their short time together, much later (1983) at the instigation of Elvis Costello, Edsel Records released an LP containing all twelve songs from the six singles. It was released on CD in 1995 as EDCD 422 and entitled From the Blue Angel, as a reference to the club [owned by Allan Williams, The Beatles’ first manager] where The Escorts began performing in 1962. Costello also released a single which was a copy of The Escorts last recording, “From Head to Toe”/”Night Time”.
- “Dizzy, Miss Lizzy” (Larry Williams) / “All I Want Is You” (Ireland/Chilton) – Fontana TF 453, April 64
- “The One to Cry” (Weiss/Schlaks) / “Tell Me Baby” (Ireland/Chilton) – Fontana TF 474, June 64 (UK #49)
- “I Don’t Want to go on Without You” (Burns/Wexler) / “Don’t Forget to Write” (Ireland/Chilton) – Fontana TF 516, 1965
- “C’mon Home Baby” (Addrisi) / “You’ll Get No Lovin’ That Way” (Jimmy Campbell/ Escorts) – Fontana TF 570, 1965
- “Let It Be Me” (Gilbert Bécaud/Mann Curtis/Pierre Delanoë) / “Mad Mad World” (Osborne/Burnette) – Fontana TF 651, January 1966
- “From Head to Toe” (Smokey Robinson) / “Night Time” (Chambers) – Columbia DB 8061, December 1966
- From the Blue Angel – EDCD 422, 1995
- “Dizzy, Miss Lizzy” – 2:11
- “All I Want Is You” – 1:49
- “The One to Cry” – 1:55
- “Tell Me Baby” – 2:16
- “I Don’t want to Go on Without You” – 2:23
- “Don’t Forget to Write” – 2:21
- “C’Mon Home Baby” – 2:05
- “You’ll Get No Lovin’ That Way” – 1:57
- “Let It Be Me” – 2:19
- “Mad Mad World” – 2:05
- “From Head to Toe” – 2:32
- “Night Time” – 2:53
Singles & EPs
The Escorts (3) Dizzy Miss Lizzy (Single) 3 versions Fontana, Fontana Australia 1964 Sell This Version 3 versions The Escorts (3) Dizzy Miss Lizzy / C’mon Home Baby (Single) 2 versions Star-Club Records Germany 1964 Sell This Version 2 versions TF 516 The Escorts (3) I Don’t Want To Go On Without You (7″) Fontana TF 516 UK 1964 Sell This Version TF 474 The Escorts (3) The One To Cry/Tell Me, Baby (7″, Mono) Fontana TF 474 UK 1964 Sell This Version The Escorts (3) C’mon Home Baby / You’ll Get No Lovin’ That Way (Single) 3 versions Fontana US 1965 Sell This Version 3 versions The Escorts (3) From Head To Toe (Single) 4 versions Columbia UK 1966 Sell This Version 4 versions TF 651 The Escorts (3) Let It Be Me (7″, Single, Mono) Fontana TF 651 UK 1966 Sell This Version
The Escorts (3) From The Blue Angel (Comp) 2 versions Edsel Records UK 1982