The Crystals in 1963
|Origin||New York, New York, United States|
|Associated acts||Darlene Love|
|Members||Dolores “Dee Dee” Kenniebrew
Melissa “MelSoulTree” Grant
|Past members||Barbara Alston
Patricia “Patsy” Wright
Dolores “LaLa” Brooks
The Crystals were an American vocal group based in New York, considered one of the defining acts of the girl group era in the first half of the 1960s. Their 1961–1964 chart hits, including “There’s No Other (Like My Baby)“, “Uptown“, “He’s Sure the Boy I Love“, “He’s a Rebel“, “Da Doo Ron Ron” and “Then He Kissed Me“, featured three successive female lead singers, and were all produced by Phil Spector. The latter three songs were originally ranked #267, #114, and #493, respectively, on Rolling Stone magazine’s list of The 500 Greatest Songs of All Time. However, two songs were dropped from the magazine’s 2010 update.
- 1 History
- 2 Contemporary usage
- 3 Band members
- 4 Discography
- 5 References
- 6 Bibliography
- 7 External links
Formation and signing to Philles
In 1961, Barbara Alston (September 28, 1943 – February 18, 2018), Mary Thomas, Dolores “Dee Dee” Kenniebrew (born 1945), Myrna Giraud and Patricia “Patsy” Wright formed the Crystals with the help of Benny Wells, Alston’s uncle. Soon, the quintet signed with Phil Spector‘s label Philles Records.
Their first hit, the gospel-influenced “There’s No Other (Like My Baby)”, debuted on the Billboard Hot 100 in November 1961. Originally the B-side to “Oh Yeah, Maybe Baby” (featuring Wright on lead), the stirring pop ballad was co-written by Spector and Leroy Bates and featured Barbara Alston on vocals. The recording was made late on the evening of the high school prom at Central Commercial High School, the school attended by Barbara, Mary, and Myrna; they were still wearing their prom dresses, as they had come to the studio straight from the event. The single reached number 20 in January 1962, marking an auspicious debut for Spector’s Philles label.
Brill Building songwriters Barry Mann and Cynthia Weil‘s “Uptown” gave the girls their second radio hit. Having an ethnic flavor with flamenco guitar and castanets, the more uptempo “Uptown” featured Alston once again emoting convincingly over a boy, though this time with class issues woven into the story. After the success of “Uptown”, a pregnant Giraud was replaced by Dolores “LaLa” Brooks.
The controversial subject matter of the next single, 1962’s “He Hit Me (And It Felt Like a Kiss)” (written by Carole King and Gerry Goffin and sung by Alston), resulted in limited airplay with the track only “bubbling under” the Billboard Hot 100, peaking at #123. Barbara Alston later disowned the track, stating it was “absolutely, positively, the one record that none of us liked”
Soon after “He Hit Me” flopped, Phil Spector began recording singer Darlene Love and her backing group the Blossoms but under the name “the Crystals” who sometimes had difficulty hitting the same notes during live performances according to the documentary 20 Feet from Stardom. Legend has it that the real Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, who wanted to quickly record writer Gene Pitney‘s “He’s a Rebel” before Vikki Carr could release her version on Liberty Records. The Crystals were unavailable, but Love and the Blossoms were also based in L.A., so Spector recorded and released their version under the Crystals’ banner. It was not the first time Spector would promise the Blossoms a single and release it under the Crystals. Ironically, Liberty Records president Al Bennett had previously hired Spector as a staff producer and promotion director.
The song (“He’s a Rebel”) had originally been offered to The Shirelles, who turned it down because of the anti-establishment lyrics. It marked a shift in girl group thematic material, where the singer loves a “bad boy”, a theme that would be amplified by later groups (especially The Shangri-Las‘ “Leader of the Pack“).
“He’s a Rebel” was the Crystals’ only US #1 hit. Their follow-up single, “He’s Sure the Boy I Love”, in actuality also featured Love and the Blossoms. It reached #11 on the Billboard chart, and features a spoken intro by Darlene Love.
“Let’s Dance The Screw”
After the success of He’s A Rebel, Spector wanted to sever his partnership with Lester Sill. Spector felt that—as he was a writer and producer—he shouldn’t have to split royalties. In order to fulfill the terms of their contract (which stipulated a certain number of records for which the royalty was to be split) and thus, offer to buy Lester Sill out, Spector quickly wrote and recorded a song which, due to its subject and length, was designed not to garner any royalties.
The song, entitled “Let’s Dance The Screw – Part I & (b-side) II”, is a track with a length (a-side) in excess of 5 minutes, therefore unlikely to be considered for radio play, as most songs’ runtimes were 3 minutes or less. The record featured simple instrumentation—just a piano (unlike Spector’s famous Wall of Sound production style)—repetitive lyrics, and Spector’s lawyer, Marty Machat, intoning the title and lyric “Let’s Dance The Screw,” numerous times in a deadpan monotone. The B-side, Part II, was more of the same but played much more slowly—and a running time in excess of 8 minutes.
The Crystals sang the song’s repetitive verses, though it is unclear if these singers were the ‘original’ Crystals or the Blossoms.
The recording was never released commercially as a single, and only a few promo copies are known to exist (all marked ‘DJ copy—not for sale’) and one known stock copy on light blue label.
The record was apparently created to be a joke at Sill’s expense, who was soon to leave the Philles label, as a single copy was specially delivered to him in early 1963. Both parts of the song have since been released on CD.
The “Real” Crystals return
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Though it is unclear as to the level of their participation in “Let’s Dance The Screw”, the ‘real’ Crystals definitely began recording again under their own name in 1963. However, Thomas had departed to get married, only to join another mildly successful group, The Butterflys, along with another original Crystal, Myrna Giraud. This reduced the group to a quartet. Alston, known for her shyness and stage fright, was never comfortable with being out front, stepped down from the lead spot giving it to Dolores “LaLa” Brooks. According to Brooks, she had been doing Alston’s leads in their live shows for a while.
After “Let’s Dance The Screw”, the group’s next release was the classic “Da Doo Ron Ron“. The song was a top 10 hit in both the US and the UK, as was the follow-up single “Then He Kissed Me”, with lead vocals also sung by Brooks. LaLa also flew out to L.A to record tracks for the seasonal album, A Christmas Gift For You.”
At the start of 1964, the Crystals flew to the UK for their first European live shows. “Then He Kissed Me” soared to #2 in the UK, and the Crystals also headlined the TV programs “Ready Steady Go”, and “Saturday Night At the Palladium”.
Mounting tension and break-up
Despite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and the Blossoms on two singles, the Crystals were even more upset when Spector began focusing much of his time on his other girl group the Ronettes. Not only did the Ronettes become Philles Records’ priority act, the Ronettes actually replaced the Crystals on four album tracks on the 1963 compilation LP The Crystals Sing the Greatest Hits. As well, there were disputes about royalties, with the Crystals feeling that Spector was withholding royalty money that was owed to them.
Two failed Crystals singles followed before the band left Spector’s Philles Records for United Artists Records in 1964. “Little Boy”, which reached #92, was a Wall Of Sound production that was layered multiple times, which meant that the vocals were hard to distinguish from the music. “All Grown Up”, their final Philles single (of which two versions exist), only reached #98.
1964 also saw the departure of Wright, who was replaced by Frances Collins, a dancer whom they had met while touring; toward the end of that year Alston departed leaving the group a trio. As a trio, they recorded two singles for United Artists, “My Place” and “You Can’t Tie a Good Girl Down”. One more single was released by Barbara, Dee Dee and Mary on the tiny Michelle Records in 1967 (“Ring-a-Ting-a-Ling”) and they disbanded in 1967 (see 1967 in music). They reunited in 1971 (see 1971 in music) and still perform today. Kenniebrew is the only original Crystal who remained active throughout their touring from the seventies to the present. Dee Dee continues to carry on The Crystals legacy by performing with Patricia Pritchett-Lewis, a member since 2005, and Melissa “MelSoulTree” Grant (aka Mel-Soul-Tree), a member since 2002. The current trio of Crystals are currently promoting a CD project entitled Live In Asia, which they recorded live in Singapore. The lead vocalist for The Crystals’ biggest hits is La La Brooks. After living in the UK for two decades, La La returned to the US in 2001 and currently performs across the world.
Barbara Alston died at a Charlotte hospital on February 16, 2018, at age 74.
“Then He Kissed Me” was the opening song to which Elisabeth Shue danced around her bedroom in Adventures in Babysitting (1987); it was the song in which Ray Liotta and Lorraine Bracco enter the Copacabana on their first real date in the movie Goodfellas (1990); it was featured during the episode ‘Homer and Marge Turn a Couple Play‘ on The Simpsons (2006). It was also covered by Asobi Seksu and used on their live album. “Da Doo Ron Ron” was played during a scene in a dance club in the 1979 film Quadrophenia, and by Russel/Harold Ramis to train ESL students in the 1981 comedy Stripes, “He Hit Me (and It Felt like a Kiss)” was used in the episode ‘Mystery Date’ on Mad Men (2012).
Crystal was the name of one of the girl group-inspired street urchin characters in the musical Little Shop of Horrors, along with Chiffon and Ronnette. Amy Winehouse cited “He Hit Me (And It Felt Like a Kiss)” as an influence when writing her album Back to Black. The American singer Lana Del Rey used the same phrase in the song “Ultraviolence” in the album of the same name.
NB. Nine of the twelve tracks on He’s A Rebel also appeared on Twist Uptown
- 1963: The Crystals Sing the Greatest Hits, Volume 1
- 1992: The Best of the Crystals
- 2011: Da Doo Ron Ron: The Very Best of the Crystals
|Year||Single (A-Side, B-Side)
Both sides from same album except where indicated
|Lead vocals||Label & number||Chart Positions||Album|
|1961||“There’s No Other (Like My Baby)”
b/w “Oh Yeah, Maybe Baby”
|Barbara Alston||Philles 100||20||—||Twist Uptown|
b/w “What a Nice Way to Turn Seventeen”
|“He Hit Me (and It Felt like a Kiss)”
b/w “No One Ever Tells You” (from Twist Uptown)
|Philles 105||—||—||He’s A Rebel|
|“He’s a Rebel”
b/w “I Love You Eddie”
|Darlene Love||Philles 106||1||19|
|“He’s Sure the Boy I Love”
b/w “Walkin’ Along (La La La)” (Non-album instrumental)
|1963||“(Let’s Dance) The Screw – Part 1”
b/w “(Let’s Dance) The Screw – Part 2”
|Group vocals||Philles 111||—||—||Non-album tracks|
|“Da Doo Ron Ron (When He Walked Me Home)”
b/w “Git’ It” (Non-album instrumental)
|Dolores “LaLa” Brooks||Philles 112||3||5||The Crystals Sing the Greatest Hits, Volume 1|
|“Then He Kissed Me”
b/w “Brother Julius” (Non-album instrumental)
|Philles 115||6||2||Today’s Hits
(Various Philles artists)
b/w “Little Boy” (UK single)
|London 9852||—||36||Non-album tracks|
b/w “Harry (From West Virginia) and Milt” (Instrumental)
|“All Grown Up”
b/w “Irving (Jaggered Sixteenths)” (Instrumental)
|1965||“You Can’t Tie a Good Girl Down”
b/w “My Place”
|United Artists 927||—||—|
|1966||“I Got a Man”
b/w “Are You Trying to Get Rid of Me”
|United Artists 994||—||—|
b/w “Should I Keep On Waiting”